{"id":17977,"date":"2026-01-05T14:04:03","date_gmt":"2026-01-05T13:04:03","guid":{"rendered":"https:\/\/restarted.hr\/?p=17977"},"modified":"2026-01-07T09:57:47","modified_gmt":"2026-01-07T08:57:47","slug":"masterclass-johan-grimonprez-all-memory-is-theft-every-day-words-disappear","status":"publish","type":"post","link":"https:\/\/restarted.hr\/en\/news\/masterclass-johan-grimonprez-all-memory-is-theft-every-day-words-disappear\/","title":{"rendered":"Masterclass: Johan Grimonprez \u2013  &#8220;All Memory is Theft \/ Every Day Words Disappear&#8221;"},"content":{"rendered":"<p><span style=\"font-weight: 400;\">On Monday, <\/span><b>January 12th<\/b><span style=\"font-weight: 400;\"> at <\/span><b>4 pm<\/b><span style=\"font-weight: 400;\"> at <\/span><b>Dokukino KIC<\/b><span style=\"font-weight: 400;\">, director <\/span><b>Johan Grimonprez<\/b><span style=\"font-weight: 400;\"> will hold a masterclass titled &#8220;<\/span><b>All Memory is Theft \/ Every Day Words Disappear&#8221; <\/b><span style=\"font-weight: 400;\">in which he will present his guidelines for reclaiming storytelling and belonging.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Grimonprez is known for his films which mix fiction and documentary through a collage-like, archival approach and weave new narratives, pathways and stories, emphasizing a multiplicity of realities. His practice examines themes such as propaganda, the role of mass media, global power dynamics, and the nature of storytelling questioning the reliability of history and the ways narratives are constructed in the digital and television age. Overall, his work forms an acute and an indispensable criticism of contemporary media manipulation and mainstream\u2019s consensus about History.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u2018There is a mourning for a lost future,\u2019 writes <\/span><b>Max Haiven<\/b><span style=\"font-weight: 400;\">, \u2018not for what was,\u00a0but for what could be.\u2019\u00a0\u00a0History and memory\u00a0don\u2019t\u00a0merely function as a means to recall the past, but rather as a tool to negotiate the present in order to reshape a shared future. Memory after all,\u00a0is a form of collective storytelling; the contested site of ideological struggle, where we redeem our forgotten dreams. James Baldwin asserts that \u2018history is not the past, it is the present. We carry our history with us; we are our history.\u2019\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Uruguayan writer <\/span><b>Eduardo Galeano<\/b><span style=\"font-weight: 400;\"> once coined that we are not made of atoms as scientists say, but that we are actually made of stories. Stories are what holds us together, \u2014or tear us apart, shaping our very idea of belonging. In the masterclass Grimonprez explores the following questions: Who owns our imagination in a world of existential vertigo where truth has become a shipwrecked refugee? Is it the storyteller who can contain contradictions, who can slip between the languages we have been given and who can become a time-traveller of the imagination?<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The masterclass will be followed at <\/span><b>6 pm<\/b><span style=\"font-weight: 400;\"> by a screening of Grimonprez&#8217;s epochal experimental documentary about the history of plane hijackings <\/span><b><i>dial H-I-S-T-O-R-Y<\/i><\/b><i><span style=\"font-weight: 400;\"> (<\/span><\/i><span style=\"font-weight: 400;\">1997), which <\/span><i><span style=\"font-weight: 400;\">The Guardian<\/span><\/i><span style=\"font-weight: 400;\"> has declared one of the most influential works in the history of video art. Two short video-works will be shown in the same slot &#8211; <\/span><b><i>Two Travellers to the River<\/i><\/b><span style=\"font-weight: 400;\"> (2018) is inspired by the poetry of Palestinian bard Mahmoud Darwish, while <\/span><b><i>every day words disappear<\/i><\/b> <span style=\"font-weight: 400;\">(2016) juxtaposes political philosopher Michael Hardt&#8217;s musings on the politics of love with footage from Godard&#8217;s dystopian classic<\/span><i><span style=\"font-weight: 400;\"> Alphaville<\/span><\/i><span style=\"font-weight: 400;\">.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">On Tuesday, <\/span><b>January 13th<\/b><span style=\"font-weight: 400;\"> at <\/span><b>7 pm<\/b><span style=\"font-weight: 400;\">, the audience will have the opportunity to watch Grimonprez&#8217;s latest masterpiece, <\/span><b><i>Soundtrack to a Coup d&#8217;Etat<\/i><\/b><span style=\"font-weight: 400;\"> (2024) about a forgotten episode of the Cold War that intertwines jazz and decolonization and reconstructs the assassination of Congolese president Patrice Lumumba. The screening will be followed by a conversation with the author.\u00a0<\/span><\/p>\n<h6><b>Johan Grimonprez<\/b><span style=\"font-weight: 400;\">\u00a0(1962) is a Belgian multimedia artist, director, and curator. His films include\u00a0<\/span><i><span style=\"font-weight: 400;\">dial H-I-S-T-O-R-Y\u00a0<\/span><\/i><span style=\"font-weight: 400;\">(1997, in collaboration with novelist Don DeLillo, premiere at Centre Pompidou and Documenta X),<\/span><i><span style=\"font-weight: 400;\"> Double Take<\/span><\/i><span style=\"font-weight: 400;\">\u00a0(2009, with writer Tom McCarthy),\u00a0<\/span><i><span style=\"font-weight: 400;\">and Shadow World<\/span><\/i><span style=\"font-weight: 400;\">\u00a0(2016, with investigative journalist Andrew Feinstein). His latest film <\/span><i><span style=\"font-weight: 400;\">Soundtrack to a Coup d\u2019Etat<\/span><\/i><span style=\"font-weight: 400;\"> (2024) won many accolades including an Academy Award nomination for Best Documentary. Grimonprez is represented by Sean Kelly Gallery (New York) and The Kamel Mennour Gallery (Paris), and his works are published by Hatje Cantz (Stuttgart). More information can be found at <\/span><a href=\"http:\/\/johangrimonprez.be\"><span style=\"font-weight: 400;\">johangrimonprez.be<\/span><\/a><span style=\"font-weight: 400;\">.<\/span><\/h6>\n","protected":false},"excerpt":{"rendered":"<p>On Monday, January 12th at 4 pm at Dokukino KIC, director Johan Grimonprez will hold a masterclass titled &#8220;All Memory is Theft \/ Every Day Words Disappear&#8221; in which he will present his guidelines for reclaiming storytelling and belonging.\u00a0 Grimonprez is known for his films which mix fiction and documentary through a collage-like, archival approach<\/p>\n","protected":false},"author":2,"featured_media":17987,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[14],"tags":[],"class_list":{"0":"post-17977","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-news"},"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v26.5) - 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