Speak So I Can See You

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About film

This sometimes observational, sometimes abstract experimental film is all about radiophonic sound—its power and beauty, and its role in today’s world. The title comes from a quote attributed to Socrates. The story follows Radio Belgrade, one of Europe’s oldest and Serbia’s only radio station that still broadcasts cultural, scientific, art and drama programming. Like a time capsule from a different era, the building reveals the glory of its Yugoslav past as we witness its inevitable modernization. We see the announcers and musicians who make the broadcasts, and we follow the radio signal itself as it makes its way through the ether to the listener. And then there are the tangible archives, the endless racks of audio tapes, which make way for new, sometimes invisible media. Music, memories, reflections on the function and impact of language, indefinable but somehow meaningful sounds, and archive footage all come together to form this audiovisual poem. A love letter to old-school radio, and a journey into the intangible world of radiophonic sound and its transformative power.
(synopsis by IDFA)

Director and screenwriter: Marija Stojnić
Cinematographer: Dušan Grubin
Editors: Kristina Pozenel, Ivan Vasić
Sound designer: Ivan Zelić
Sound recordists: Jakov Munižaba, Koča Kaštavarac, Dora Filipović
Original composition in the film: “Arhiva” by Filip Mitrović
Producers: Miloš Ivanović, Marija Stojnić (Bilboke, Set Sail Films)
Co-producers: Vanja Jambrović, Tibor Keser (Restart)
Production: Bilboke (RS)
Co-production: Set Sail Films (RS), Restart (HR)

Marija Stojnić finished film studies in Belgrade and New York. Her experience was carved through working on film productions in the US and Europe. Marija’s films synthesize documentary film and other art forms. Experimentation with sound in her work is an interest derived from her background in music as a performer/vocalist. Documentary film “Speak so I can see you”, her feature-length directorial debut, received multiple awards and had its World premiere at IDFA’s 2019 First Appearance Competition, and its US premiere at MoMA’s DocFortnight 2020. She is currently developing her new short film “Total Eclipse”, an animated documentary about the unusual reception of the total solar eclipse of 1999 in Yugoslavia, developed through AniDox workshop in Denmark.

 

Speak So I Can See You

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