The Land We Breathe

Zemlja koju (u)dišemo

About film

How it feels to live in a world that is changing faster than we would like? The film traces global conflicts in the local, which are made visible along the course of the river Krka in Croatia and through its inhabitants, as if under a burning glass: A hauntingly beautiful, but also fragile microcosm, which within a few years has been transformed from a bloody civil war country into a paradise for tourists. In the complex of war traumas, the effects of mass tourism and migration, the climate crisis can already be felt here in the present. Based on precise everyday observations spanning the period of four seasons, the film traces a pattern: The dysfunctional relationship between man and nature. Unpredictable natural phenomena slowly gain the upper hand. Raging flash floods inundate the monastery in autumn. Whipping winds pursue the shepherd. In the sweltering summer heat, massive bushfires threaten mass tourism, which has spiraled out of control. In the neighboring snow-white mountain region on the Croatian-Bosnian border not far from the river’s source, migrants try to reach European soil. A dark foreboding seeps through each image: Will the river’s inhabitants also have to leave their homes in a few decades due to the drastic climate conditions?

Director: Manuel Inacker
Screenwriters: Manuel Inacker, Ana Marija Marinov
Director of Photography: Boris Poljak
Sound recordists: Hrvoje Radnić, Viktor Grabar
Additional cinematography: Falco Seliger

Producer: Oliver Sertić (Restart)
Executive producer: Ana Marija Marinov
Associate producer: Vanja Jambrović
Production assistant: Zrinka Košar
Production: Restart (HR)

 

IN DEVELOPMENT

Developed at:

Manuel Inacker studied politics, sociology and philosophy at the University of Erfurt and the Bosphorus University in Istanbul and has lived in various countries, including China, Australia and Turkey. He graduated in feature and documentary film directing from Babelsberg Konrad Wolf Film University and from Berlin University of the Arts in the narrative film department. Manuel’s films have been screened at numerous festivals including the Berlinale, IDFA and Max Ophüls Preis. Manuel’s first short documentary ‘Pallasseum – Invisible City’ had its world premiere at the 2016 Berlinale, and his most recent documentary ‘La Bestia – Train Of The Unknowns’ has received more than 15 awards, including the 2019 FIPADOC Erasmus+ Best Short Film Award and the 2019 Makedox Best Student Short Film Award.

The Land We Breathe

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